The Neptunes-produced "Don't Stop" spits bitter venom at those "softer than a Reebok classic," with Snoop playing a simple, supportive role, something Beanie's other guests - and there are plenty - could learn from. Instead, it consists of fragments from here and there that deal very little with situations and more with mindsets. One thing to know is that it's not a linear journal. You wouldn't listen to an audiobook with everybody hanging around, and with The B.Coming being a journal set to beats, you're best off going this one alone. It takes some getting used to since Beanie's lyrics are better and expectedly bleaker than ever, and could benefit from something more crisp - so make sure you've got the headphones ready and told all your friends to beat it. The mastering of the album sounds like a mixtape: dense, tight, and maxed at times. It's a hectic, exhaustive listen, and on first encounter, cluttered. Rather than rushed, the album feels tense, like all these songs were attacking Beans and he was trying his damnedest to let them all through. Facing incarceration on a federal gun charge, rapper Beanie Sigel got to work big time and quickly finished the album he had promised for years, The B.Coming.